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  <channel>
    <title>themissiondistrict's Journals on Buzznet</title>
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    <link>http://themissiondistrict.buzznet.com/user/journal/</link>
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		    <item>
	      <title><![CDATA[ROB’S FAVOURITE ALBUMS]]></title>
	      <link>http://themissiondistrict.buzznet.com/user/journal/2065951/rob-s-favourite-albums/</link>
	      <description><![CDATA[Hello again everyone. So I guess I must still be a bit of a contemplative / nostalgic mood now that the release date for Youth Games has finally arrived. So since we are finally releasing our first album (available now on iTunes!) I thought it might be kind of fun to look back on some of my favourite albums and talk a little bit about what makes them so special to me. This isn’t a definitive list of the best albums of all time, and they are in no kind of order - these are just a few records that I love. Feel free to post your favourites in the comments, or you can always feel free to praise my fantastic taste in music, or berate me for being a tone deaf, tasteless fop. Yes, I just said fop. I am officially an 80-year-old British man.


WEEZER – PINKERTON 

These days it’s easy to forget how great a band Weezer once was. I really dislike their latest album, Make Believe, and that in turn has forced me to reexamine whether they ever truly were the rock gods that I thought they were when I was younger. But no matter how you look at it, the answer is a resounding yes. I will always have a soft spot for the Blue Album, with its sun-drenched California pop music buried under layer upon layer of distortion and 90’s grungy angst, but Pinkerton will always be the quintessential Weezer album for me. After becoming one of the biggest bands in America through several smash singles like ’Buddy Holly,’ ’Say It Ain’t So,’ and ’The Sweater Song,’ they made the decision not to use the services of legendary Cars frontman Ric Ocasic (who produced the Blue Album) and decided to produce their follow up record themselves. The result was noisy, unconventional, and featured some of the most deeply personal and heart-wrenching lyrics ever recorded. And it was not at all what people were expecting. The sales indicated as much, as the album initially didn’t sell even a fraction of what the Blue Album did, the singles failed to catch on with radio and MTV, and most fans, music journalists, and industry players were writing Weezer off as a flash in the pan. This supposed failure became a huge mental obstacle for frontman Rivers Cuomo, who left the music industry to go to Harvard and did not tour or put out a new album for almost 5 years. In the meantime however, Pinkerton found itself an extremely devoted cult following who were drawn to the amazing, albeit unconventional, pop songs and the heart on sleeve lyrical anguish (which, incidentally, has since inspired an entire generation of songwriters.) Sales of the album climbed steadily as more years went past, and Weezer’s lack of activity, as well as the departure of bassist Matt Sharp, contributed to its legend, enough to eventually inspire Cuomo to come out of semi-retirement and put out…a series of subpar albums that have disappointed a legion of extremely loyal fans, myself included (although for the record, I think Maladroit, the 4th Weezer record, is really really good.) In any case, nothing Cuomo or Weezer did before or since will diminish the importance of this record, which these days is looked back on as one of the great accomplishments in the history of modern rock music, and deservedly so. 


GUNS N ROSES - APPETITE FOR DESTRUCTION

For years, my older brother Matt tried to get across to me just how great Appetite for Destruction is, but I was young and foolish and refused to listen. You see, after Nirvana put out Nevermind, Guns N Roses became hopelessly, tragically uncool, and I wasn’t going to be the one kid in my school going on about how cool Axl, Slash and company were and risk being mocked mercilessly by my peers. This is ironic because after Appetite gained popularity, it rendered a whole generation of hair metal bands completely obsolete, but by the time they became obsolete themselves, they had been lumped together with so many of the bands that they had helped to destroy. But seriously though, this is quite possibly the greatest rock record ever made. From a production soundpoint it is absolutely stunning, the guitar and drum sounds are massive, and it features one of the most exciting, dynamic vocal performances ever from a young Axl Rose. Many of you now know Rose as an overweight, deadlocked, football jersey wearing fool, but at the time he was handsome, revolutionary and downright dangerous. Its impossible to overstate how much of a departure this album was from what was popular at the time. Not many people realize this because they didn’t really become popular until the early 90’s but Appetite came out in 1986, a time in rock music when it was considered cool to wear spandex tights and mascara and tease your hair like the star of a low budget excercise video. Guns N Roses brought back a certain punk rock rebelliousness to mainstream music, both with their music and lyrics and in the general bad ass way that they conducted themselves (read Slash’s autobiography if you want to know what I mean.) Anyways I absolutely love this album. Matt, you were right. Sorry about that. 


MICHAEL JACKSON - OFF THE WALL

Although he may look like a hedious mutant and has been accused of molesting children on multiple occasions, believe it or not, in the late 70s / early 80s, Michael Jackson was pretty much the coolest guy on the planet. The obvious choice here is his 1982 masterpiece, Thriller, but I prefer the darkhorse pick, 1978’s Off the Wall, which was his first breakthrough album as a solo artist. The main reason I love Off The Wall so much is because in today’s Pop / R n B landscape everything you hear is synthesized, sampled and controlled with computers to the point that it doesn’t really even matter who is singing the songs anymore. I mean, Rihanna has some great songs and everything, but it could really be anyone singing Umbrella - Pro Tools can ensure that whoever is singing is hitting the absolute perfect note, and the hooks and great beats come pre-written and pre-programmed. There is a certain rawness to Off the Wall that just doesn’t exist within the genre anymore, all the instrumentation is done by live musicians who craft some of the danciest tunes ever recorded. I can’t stress enough how good the production on this album is. Quincy Jones has had a long and storied career in music (including Jackson’s more popluar and well-known follow up) but as far as I’m concerned, this is the absolute pinnacle of his work. And then of course there’s Michael. He is at the absolute top of his game, his voice is immaculate, and the vocal hooks are incredible. And remember, this was a time when Michael could still sing about women, love and romance and have it sound convincing. The one two punch that starts the album, ’Don’t Stop Till You Get Enough,’ and ’Rock With You,’ are two of the best songs Michael ever did, and they were both number one singles. Off the Wall went on to sell 7 million copies, established Michael one of the most popular solo musicians on the planet, and set the stage for his follow up, Thriller, the most popular album of all time. No matter what has happened in Michael’s private and professional life in the decades since, Off the Wall is still a great, great record.


THE BEACH BOYS – PET SOUNDS 

Growing up a Beatles fan, I always sort of wrote off the Beach Boys as a completely mindless pop group who appealed to the Beatles’ predominantly young and female fan base but without any of the same musical subtlety or nuance that would later lead the Beatles to become the greatest rock band of all time. Boy could I not have been more wrong about that. Early Beach Boys songs are beautifully written and performed, and they have the uncanny ability to bring you back to the innocent days of pre-Vietnam America even if, like me, you were not even close to being conceived at that point. However, it was after hearing Revolver, the Beatles’ first real foray into the more experimental, avant garde direction that would later come to define them, that Beach Boys leader and producer Brian Wilson decided he wanted to make a record with a little more substance. The result was Pet Sounds, which has since become widely regarded as one of the greatest albums to come out of the 60’s, and is quite possibly the best pop album of all time. The songs, anchored by singles like ’Wouldn’t It Be Nice,’ ’Sloop John B,’ and ’God Only Knows,’ feature the signature Beach Boys harmonized vocals, but with time signatures, arrangements, and instrumentation that were unconventional at times and downright bizarre at others. Pet Sounds catapulted the Beach Boys to the very forefront of American pop music and established them as an artistic force that could stand toe to toe with their chief rivals, the Beatles, and for a time they did. After the release of Sgt Peppers Lonely Hearts Club Band, Wilson wanted to respond with an even more artistic, experimental album that would eclipse Pet Sounds and make the Beach Boys the greatest pop group in the world. Unfortunately, the rest of his band mates were either unwilling or unable to follow him in the somewhat wild direction he was trying to lead them, which ultimately lead to him suffering a complete mental collapse that he has never really recovered from (although, as a sidenote, the album in question, Smile, was finally completed with Wilson’s new band in 2004, and is unbelievably good, although it loses points for taking 4 decades to make.) In any case, on a personal level, whenever I’m having one of those days where nothing seems to be going my way and the whole universe seems to be working against me, all I have to do is listen to Pet Sounds and I’m magically transported to a perfect place where the summer is always just beginning, and the only responsibilities I have are to the sand and surf. Although, it is worth mentioning that I also spend those days frantically huffing an ether-soaked rag*, which may have more to do with the whole magical transportation thing than I am letting on.

*I don’t actually do this.


PAUL SIMON - GRACELAND

This is one of those albums that I remember vividly from my dad playing it constantly when I was growing up, but it wasn’t until I got a little bit older that I realized just how great it really was. It’s interesting because Paul Simon had already conquered the folk rock scene in the 60’s, and probably could have gone through the rest of his career doing not-as-good follow ups to the type of music that made him famous in the first place, which made it all the more interesting when he released this eclectic 1986 masterpiece. Simon had been traveling in Africa prior to making this album, and became enamoured with the music and culture there, so Graceland was infused with tribal rythyms and chants in addition to Simon’s poignant, quirky pop-rock. In the hands of a lesser songwriter, this could have been an absolute disaster (for example, just try to imagine if Bon Jovi tried the same thing,) but Graceland became his most popular album ever, peaking at 3 on the Billboard, and really cemented Paul Simon as one of rock’s all-time great songwriters. The songs themselves are amazing: standouts are The Boy in the Bubble, Graceland, I Know What I Know, Diamonds on the Soles of Her Shoes, and of course, You Can Call Me All, the big single off the album, which has a random, unintentionally hilarious music video starring Chevy Chase (who you probably don’t realize was a massive movie star when this song came out.) 



No matter what your stance on music is, it is impossible not to love the bass solo in that song. Fact. I love Graceland!


So as I said before, this is not a definitive best-ever albums list. I purposely left off anything by the Beatles or Zeppelin, just because I highly doubt any of you are interested in reading 5,000 words on why exactly I like Zeppelin III so much. These were just a few albums that I think are great, and who knows, maybe in the future I’ll post some more of my favourites. Now that Youth Games is finally out, I wonder if it will eventually inspire someone with the same type of emotional response that I get from these records. Anyways we are just about to get busy with a really hectic March: playing Canadian Music Week, and MTV Live in Toronto, then immediately driving down to Austin for South By Southwest. It promises to be quite the month so when we are back there will be tons of content going up so you can see and read about exactly what types of shenanigans we have been up to. Until then, goodnight and Godspeed everybody!]]></description>
		  		  	<category>music</category>
		  		  	<category>rob rousseau</category>
		  		  	<category>the mission district</category>
		  		  	<category>tmd</category>
		  		  <category>Buzznet</category>
	      <dc:creator>themissiondistrict</dc:creator>
	      <dc:date>2008-03-26T09:06:00Z</dc:date>
	    </item>
		    <item>
	      <title><![CDATA[... FOR BETTER OR WORSE]]></title>
	      <link>http://themissiondistrict.buzznet.com/user/journal/2065931/better-worse/</link>
	      <description><![CDATA[In my years (which really aren't all that many) I have come to learn certain things about myself. I wonder at times if I may have developed an unchangeable lens on my perception of the world as a child and only realized it after escaping the awkward and confusing years of new hormones flooding my brain and altering its chemistry that I experienced as a teenager. While my ability to understand what I experience may be unalterably tinted to a certain degree, I still feel as though I'm breaking free and returning to my normal, free spirited, child-at-heart self with a wiser soul and a less naïve mind. Confused? Let me explain... <br />  <br />  As a kid, I like to think I was always pretty imaginative. I would draw and climb trees, stare at the clouds, write poetry and stories... I even wrote a series of short stories in grade 6 entitled "The Evil Collar" about, well, an evil collar that was possessed by an alien spirit that would enslave whatever it was attached to bent on destroying the planet for some unknown reason. I wrote about 8 or 9 books in the series and they featured an evil dog, an evil tiger, and even evil stingrays until finally in "The Evil Collar 10: The Final Chapter" the alien succeeds by learning to exist beyond the bounds of the collar (which was actually a prison I think), infiltrates and detonates a stockpile of nuclear war heads deep under the surface of the earth and manages to blow up the planet. I still think it's a great story! I only ever had one reader's comment though that read something along the lines of:<br />  <br />  "I didn't read your story, it's way too long... but I'm sure it was good!"<br />  <br />  I'm finding myself falling back into this mind set I had where I crave that creative outlet at all times. Perhaps it's because of all the excitement I feel in the potential surrounding this band that has kick started my brain back into gear- pulled me out of the muck and confusion- reverting back with a learned mind towards my natural inclinations into that world of whimsy I enjoy... <br />  <br />  As I was saying though, I'm realizing that I haven't changed much since I was younger. I've said it before and I'll say it again: I'm a dreamer. I like to imagine and create, ponder and listen, read escapist stories in as few sittings as possible... I can't help it, I didn't ask to be so inquisitive and pensive (although I can't imagine being any other way) and I don't pretend to be otherwise.<br />  <br />  I mentioned in my last post that I had a renewed interest in the piano throughout high school and as I was re-reading what I had written it got me thinking about how a major constant in my life has been my attraction to playing instruments. I enter this peaceful state where I just relax and immerse myself in playing how I feel or convey specific emotions. It's very therapeutic!<br />  <br />  One of my favourite things to do is sit at a tuned grand piano and play something based on how the piano sounds and the mood I'm in or something that depicts a scene I imagine. For the most part, I'm self-taught on piano (I did pick up the basic elements and theory from having played the vibraphone in high school) and actually wanting to play while not being forced to experience it from a theoretical and mechanically technical point of view has allowed me to develop (aside from terrible technique and bad posture) a love for music that I can't explain. I truly believe it is an integral part of the sensations we've naturally developed such a high appreciation for as a species. It is a part of my existence and I think that it's fair to say I could not live without it. If you are reading this, perhaps you know what I mean.<br />  <br />  The problem, and possibly even the initial premise of this entry, is this: The concept of the Monday to Friday, nine-to-five workweek has become daily routine and normal, well established conduct for almost every one. It has also always been synonymous with such concepts as hell on earth for me but in order to get anything done, in terms of the betterment of your position in life as you "grow up", I find myself at a disadvantage in this world full of extroverts and those who can set goals and milestones while working methodically towards achieving them. I have a terrible habit of having dreams and goals in life but the ability to step out of my natural tendencies and implement to-do lists and schedules eludes me. Find me a piano and I'll play for you how I feel.<br />  <br />  At this point I'm not even really sure what I'm trying to explain or express. I think what I'm getting at (as I often tend to seemingly ramble with no apparent purpose and do apologize for it) is that however hazardous it may be to my integration and assimilation into the normal nine-to-five world where people make lists and check them off (that supposedly does exist I am told), I can't help but feel as though it's like trying to fit a square peg into a round hole. I am too curious for my own good and will continue to stand by my lofty leanings, guided by my intuition, luck and the direction of the wind, condemned to forever look towards the sky, fixed on the stars in absolute wonderment. <br />  <br />  I am and forever will be a dreamer... For better or for worse.<br />  <br />  Hi Dad!<br />  <br />  Evan]]></description>
		  		  	<category>evan clarke</category>
		  		  	<category>music</category>
		  		  	<category>the mission district</category>
		  		  	<category>tmd</category>
		  		  <category>Buzznet</category>
	      <dc:creator>themissiondistrict</dc:creator>
	      <dc:date>2008-03-11T15:05:00Z</dc:date>
	    </item>
		    <item>
	      <title><![CDATA[UPS AND DOWNS]]></title>
	      <link>http://themissiondistrict.buzznet.com/user/journal/2065921/ups-and-downs/</link>
	      <description><![CDATA[Making a record is a difficult thing. When I first met Dave and Travis and got conscripted into their pop punk band, Full Count, which was really doing well at the time, I felt like I was on the verge of stardom. Just a few months of work and I would have all the fame and fortune I had always wanted. I was on easy street. Unfortunately, that was 5 years ago. Its really hard to believe that much time has gone by, but now as we are on the verge of releasing the album we have been talking about making since those early days, I find myself reflecting on some of the ups and downs I have experienced ever since I committed myself to living out this dream.

Although, it is not purely out of nostalgia that I am thinking about this. I am also jealous of Evan's blog, and the praise it got and don't want to be upstaged by the new guy. Damn-it Evan!

Anyone who plays in a band will know what I mean when I say ups and downs. There are times when you feel completely invincible and that nothing can possibly stop you from achieving your dreams...when everything is going your way and the life of nonstop touring fans, fame and fortune not just within your grasp, its right in front of you, and all you have to do is reach out and take it. And then there are those times when you want to murder the guys you play with with a ball peen hammer and seriously considering going back to school to become and accountant or lawyer or any of those other suit and tie jobs you swore you would never do. When it feels like no matter how good you are at what you do, you can never break through that glass ceiling that is holding you back from accomplishing what you want. Meanwhile you see countless bands who you know in your heart are totally inferior to you who seem to be effortlessly succeeding and living out their dream, while you are at home eating box after box of Kraft dinner wondering when your life is finally going to happen.

Wow that last paragraph is depressing. But its the truth! The last 5 years of my life have been a series of those types of ups and downs. But now we are on the verge of releasing Youth Games, our first album (coming this March 1st on iTunes!) and I can't help but wonder whether we are close to experiencing the last of the really tough times. I mean, anyone who has been following these blogs for the past few months already have an idea of how difficult a process it was to make this album (although it was probably 10 times harder than what you are imagining,) and that's to say nothing of the 4 years we spent writing songs, trying to find a lineup that really clicked, and playing shows before the 8 months we spent making Youth Games.

Now I'm sure you're wondering what the point to all this rambling is. Well I'm not sure that I really have one. But I suppose if I was to try and gleam a point from this convoluted mess, it would be this: this is a really exciting time for me and the other guys in the band. We have collectively expended a whole lot of time, pain, sweat, tears, blood (and let's not forget a whole bunch of money) to bring us to this point, and there is a general sentiment amongst us that we are closer to the promised land than ever before. Now, I'm certainly not being foolish enough to imagine that the tough times are over. I'm sure we will continue experiencing those ups and downs until the band ceases to exist. But I'm at least hoping that the down times in the future won't involve me eating so much Kraft dinner. That stuff is absolutely terrible for you.]]></description>
		  		  	<category>music</category>
		  		  	<category>rob rousseau</category>
		  		  	<category>the mission district</category>
		  		  	<category>tmd</category>
		  		  <category>Buzznet</category>
	      <dc:creator>themissiondistrict</dc:creator>
	      <dc:date>2008-02-25T15:01:00Z</dc:date>
	    </item>
		    <item>
	      <title><![CDATA[CALL ME A DREAMER...]]></title>
	      <link>http://themissiondistrict.buzznet.com/user/journal/2065851/call-dreamer/</link>
	      <description><![CDATA[As I sit here and try to come up with an idea for my first blog, I find myself recapping my time spent with these guys for the past eight months, the strange course of events that led to the eventual joining of The Mission District and the 21 year long journey that brought me to this point.

Childhood dreams resurface of jetting to Australia to surf the east coast, backpacking through Europe, going to law school, maybe even becoming an astronaut (a boy can dream!) and, while all seeming like viable options at the time, none are as full of risk, uncertainty and potential world-wide recognition as the adventure I now find myself on.

It seems there is only one topic I could possibly write about to not only introduce myself to those who might find themselves inadvertently reading this or those who might be curious enough to see what I have to say, but to explain how I ended up in Montreal, nearly homeless, almost seven hours away from home and caught in this whirlwind of a tale with no guarantee of success but surrounded by those who have dreams just as big as I do.

Bare with me for a moment as I bring you up to speed on the past 21 years of my life. I was born in Toronto and grew up in Markham, which is just north east of the city. Subjected to a typical suburban environment I went to the local public school and had the usual experiences you would expect. I developed interests in music, skateboarding, reading "Animorphs" and "Goosebumps" (until I found out R.L. Stine had ghost writers) and pogs. It was in music though where I found my solace and from the time I started banging on my grandma's piano at an early age until I began playing the drums in grade six until now, I have always been drawn to the world of music because of it's ability to ease my mind and provide such a creative outlet that I crave. I went to high-school for a percussion program and did my thing there for four years. Again, typical high school experiences, girlfriend, pop-machines and sub-par chicken burgers and beef patties. I had a renewed interest though, throughout high-school, in playing piano and I would play almost every lunch period when I wasn't outside drinking pop being that annoying skateboarding kid outside with my buddy Andrew.

After my time there was over I ventured off to University for Philosophy of Science which I found interesting and because (and I think this is how many people view it) it seemed like the next step after high school. First year went by well enough. I met a lot of people including a crazy Australian dude and a tea-drinking Dutchman who I'm still in contact with. Second year, after having moved into a house with a couple of hilarious guys that I love to this day, was a little different. I had a keyboard, guitar, newly acquired Mac Powerbook, Shure sm57 and an M-audio fast-track pro. That's a fair description of second year. After intensive introspection (I was majoring in philosophy after all) I realized I needed to re-evaluate how I was spending my time. (My half of a philosophy degree gave me that much.)…. So I packed up my gear and went back to Markham. My future, however risky and uncertain, was in music.

The next few months of my life were a real eye opener. I still wasn't sure how I was going to fulfill this dream of having some sort of career revolving around music production and ended up needing a job to finance my developing home studio and halo 2 addiction. Without thinking it through or really knowing what else to do, I took a job at the mall near my house. If you ever have the urge to work full time in a retail clothing store for 6 months at the mall, please, whatever you do, don't. Tara, Ashley, Virginia, Alessandra, et al. you're all amazing people, but I was spending my days in a moisture-less mall, living on schedules, routines, procedures and A&W. For a dreamer like myself, I soon realized that this was comparable to something as spirit-crushing as the slow, debilitating drip of water torture. The steady income allowed me to understand how people can become locked in a job that they may not necessarily love but I was slowly going crazy, pestered by kids looking for "those shoes with wheels" while having to promote "these crazy new shoes with wheels" and telling everyone that walked in "if you buy 2 of these you can get 10% of off these!" … Needless to say I was continuing my quest to find a way into the music industry and escape my cotton confines. Those who knew me knew of my desire to write and produce music and one day a family friend let me tag along to a mastering facility downtown who passed me along to a local studio with the possibility of interning. Then, months later, after I hadn't really gained any ground on the studio scene, I was introduced to Bob Luhtala (TMD's manager) who in turn set me up to meet Matt DeMatteo. (TMD's producer). I happened to mention Bonham as being an influence and we seemed to get along pretty well after that. I started showing up the following day and helped out where I could.

Meanwhile… Dave, Antoine, Rob and Travis had been in Toronto working with Matt for the past few months and were finishing things up on Youth Games. I had only been coming around for a few weeks until Matt mentioned moving his whole studio up to Montreal. I began researching moving trucks and the day came where Matt asked if I would be interested in coming up to Montreal to work for him there. I would be separated from my family, my girlfriend and my dog but I was 20 and jumped at the opportunity to continue working with an experienced musician and producer. July 1st. Moving day had arrived and the convoy left from Toronto, friends and family waving 'so long'.

We had arrived in Montreal and the truck had been unloaded with lots of help. In the beginning the studio was an empty warehouse space with lots of boxes, a bed and dresser in one big room and an adjacent lounge/control room. While it's certainly coming along these days, at the time, it was my only place to stay and made for interesting evenings of being alone in a huge, nearly empty room on a bed with only the light from my cell phone and my own voice to convince myself that I wasn't in a sensory deprivation chamber surrounded by 50 feet of darkness on either side of the bed. Eventually I moved into my cousin's place. She goes to McGill and came back in September so I found another place until it finally clicked for Rob and I, months later, that he had an empty room the whole time at his place. I moved shortly after and plan to stay there as long as he'll let me.

The studio itself was slowly being built, brick by brick, wall by wall, but there wasn't too much for me to do aside from construction. The band was still working with Matt in Montreal and it so happened that they needed a drummer and a keyboard player for a more permanent line up and for an upcoming show. They knew I was a drummer and asked if I'd play for them at a rehearsal. The also had another guy (Mike) who was listening to the tracks. Mike is a solid drummer and I felt I was too rusty from not having a kit with me for 2 years so I mentioned that I was also pretty comfortable on piano. I showed up to a rehearsal and picked up the keyboard parts pretty quickly. Mike knew his stuff and the sound started to definitely come together. The Mission District was going to be a 6 piece. Over the next few weeks we had more and more rehearsals until it got to the point where there was the possibility of playing more shows with them. Matt had also passed along some advice, pushing me on to the path of being in a band while I was still young. So, after moving up to Montreal to assist Matt at his studio after knowing him and the other guys for only three months, I was now there for the band. (Following months can be traced back through other blogs on TMD's Myspace and all the pictures and videos that go along with them. We played at a festival in Montreal, played Toronto, Windsor, Oshawa, Cornwall, Sudbury, New York...and are heading to South by Southwest in a few weeks in Austin, Texas!!!)

At this point in the story I feel I need to apologize. My initial plan didn't involve writing such an in-depth account of my entire life. So I'm sorry if you've read all of this thinking. ``Ok, ok, blah, blah, where are you going with this?" Well, this is where I'm going: I went from having no idea what I wanted to do with my life to realizing at a Faber Drive/Mariana's trench show at the MOD club what I wanted to do. I was off to the side of the room beside several groups of parents chaperoning their 14 year old daughters and came to the conclusion that I wanted to do what those bands were doing- be on stage playing power pop to a crowd of screaming kids shouting the lyrics back at you, both the band and the kids feeding off each others energy in, what I interpreted as, a harmonious symbiotic exchange. I had this dream to play music for a living (at least while I'm young and can get away with it!), travel around, see the sights, `be on the open road' so to speak... and within a year I found myself in The Mission District, on the brink of self-proclaimed stardom just waiting for the opportunity to tour the world.

Even though the phrase ``don't push your luck" comes to mind now, I can't help but feel as though something great is about to happen. Fame and fortune are headed our way. Of course we're not in it specifically for the fame or the fortune but if touring the world and fame and fortune go hand in hand than I guess we'll just have to humbly and graciously accept it. We've already created alter-egos and disguises for when we need to make secret entrances and exits at shows. Call me crazy, or even absurdly overly optimistic about everything, but if my luck continues than things are looking up!

Well, now you know, for the most part, who I am and the events that have led to me sitting at my computer in Montreal, typing a blog about my life and the luck I have been fortunate enough to receive. All good things come to those who wait and patience is a virtue but fortune favours the bold so keep your eyes and ears open for The Mission District. Whether you like it or not, we're coming!

Hi Mom!

Evan]]></description>
		  		  	<category>blog</category>
		  		  	<category>district</category>
		  		  	<category>evan clarke</category>
		  		  	<category>mission</category>
		  		  	<category>music</category>
		  		  	<category>the mission district</category>
		  		  	<category>tmd</category>
		  		  <category>Buzznet</category>
	      <dc:creator>themissiondistrict</dc:creator>
	      <dc:date>2008-02-09T17:49:00Z</dc:date>
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